Culture & Entertainment

Creating a ‘Nicotine-Stained’ Homage to the ’70s in ‘Daisy Jones and the Six’ | Daily Beast

A Q&A with Daisy Jones & The Six’s Costume Designer, Denise Wingate | Glamour

Digital Cover: Introducing the Cast of ITVX ‘Tell Me Everything’ | Notion

Hildur Guðnadóttir: An interview on Tár and Women Talking | Little White Lies

Kate Hudson Is the Best Part of ‘Glass Onion’ | Glamour

There's a Reason Everyone's Telling You to Watch ‘Wednesday’ | Glamour

A Chronology of Shipwrecks on Film | Vulture

Wait — Is ‘Westworld’ Good Again? | GQ

I’ll Say It: Emily Cooper Is Bad at Her Job | Glamour

How ’40s and ’50s Holiday Films Helped Define the Quintessential Christmas “Look” | Dwell

What’s So Bad About Melodrama? In Defense of Forgotten Classic ‘Random Harvest’ | Literary Hub

It’s No Coincidence That Workplace TV Shows Are Darker Than Ever | Refinery29

Anne Hathahate was rooted in misogyny – and a new generation aren’t standing for it | Independent

‘Meg Ryan Fall’ Is the Best Time of the Year. Of Course the Internet is Ruining It | The Daily Beast

Millennials Have Killed the Period Drama | The i

From Agatha Christie to ‘Glass Onion’: Why Art Deco Is the Murder Mystery Aesthetic | Dwell

‘Everything I Know About Love’ Celebrates The Magic Of The Female Flatshare | Refinery29

Welcome to the Era of the Sally Rooney Girl | Notion

Here’s Every Teen Movie Easter Egg in ‘Do Revenge’ | Glamour

Is Horny TV Dead | i-D

What Netflix's 'You' gets right about Britain's young, rich, and 'royal adjacent,' from nepo babies to wild parties | Insider

Wet Shirt Man: ‘Bridgerton’ Season Two Continues a Long-Standing Period Drama Trope | GQ

Why Films Around the World Are Turning to Time Travel to Explore Mothers and Daughters | Literary Hub

The Addams Family Aesthetic Has Been Done and Redone. How Do You Do It Again? | Dwell

The Feminine Urge to Eat Your Friends: Why Showtime’s ‘Yellowjackets’ is the Show Women Have Been Craving | Stylist

In Netflix’s ‘Lady Chatterley’s Lover’, a Controversial Classic Becomes a Glossy Love Story | Literary Hub

Why a Simple Mother-Daughter Scene Makes the Biggest Impact in the Fast-Paced Thriller ‘Pieces Of Her’ | Stylist

Deconstructing the ‘Succession’ Uh-huh | i-D

The New Season Of ‘Russian Doll’ Tries To Escape Its Mommy Issues On The 6 Train | Romper

Seven Questions We Have After the ‘Yellowjackets’ Finale | GQ

‘Legally Blonde’ and the Slow Demise of the Fashionista Feminist in Film | Shondaland

Joachim Trier Isn’t Afraid of Virginia Woolf | Literary Hub

Why ‘What’s Up, Doc?’ Remains a Perfect Screwball Comedy | Little White Lies

'Inventing Anna' And Parenthood In The Age Of Hustle Culture | Romper

Here's What 'You' Got Right — and Wrong — About Living In Suburbia | Apartment Therapy

8 Movies To Stream After You Watched “The Princess Switch” Trilogy | Apartment Therapy

When Does Method Acting Cross a Line? | Insider

The Most Complex Sci-fi Character On TV Makes 'Foundation’ Required Viewing | Inverse

‘Pieces of Her’ Ending Explained | Inverse

‘Russian Doll’ Season 2 Ending Explained | Inverse

Flesh, Metal and Fire: A Review of 'Titane' | Giddy

Sex, Love and Identity in 'The Worst Person in the World' | Giddy

‘The Midwich Cuckoos’ Ending Explained | RadioTimes